The Fundamental Remains Meditation – Osho

Not counting the discourses, is twenty minutes of meditation a day enough to see me along the path and lead me to experience the satyam, shivam, sundram you are pointing us towards?

Vimal, first you cannot be allowed not to count the discourses, because your meditations cannot happen without these discourses. These discourses are the foundations of your meditation. I am crazy but not that crazy that I should go on speaking four hours a day if it does not help you in meditation! Do you think I am trying to distract you from meditation?

And then you are such a miser, Vimal. I never thought you were so miserly that just twenty minutes in twenty-four hours . . . not even twenty-four minutes!

You have missed my basic standpoint completely. I don’t want you to think of meditation within limits; I want meditation to become your very life. In the past this has been one of the fallacies: you meditate twenty minutes, or you meditate three times a day, you meditate five times a day – different religions, but the basic idea is that a few minutes every day should be given to meditation.

And what will you do in the remaining time? Whatever you will gain in twenty minutes . . . what are you going to do in the remaining twenty-three hours and forty minutes? Something anti-meditative, and naturally your twenty minutes will be defeated. The enemies are too big, and you are giving too much juice and energy to the enemies and just twenty minutes for meditation. No, meditation in the past has not been able to bring a rebellion in the world because of these fallacies.

These fallacies are the reasons I want you to look at meditation from a totally different standpoint. You can learn meditation for twenty minutes or forty minutes – learning is one thing – but then you have to carry whatever you have learned day in, day out. Meditation has to become just like your heartbeat.

You cannot say, “Is it enough, Osho, to breathe for twenty minutes every day?” – the next day will never come. Even while you are asleep you continue breathing. Nature has not left the essential functions of your body and life in your hands. Nature has not trusted you, because if breathing were in your hands, you would start thinking how much to breathe and whether it is right to breathe while you are sleeping. It looks a little odd doing two things together – sleeping and breathing. Breathing seems to be a kind of disturbance in sleeping. But then the sleep will be eternal!

Your heartbeat, your blood circulation are not under your control. Nature has kept everything that is essential in its own hands. You are not reliable; you can forget, and then there is no time even to say, “I am sorry, I forgot to breathe. Just give me one chance more!” Even that much opportunity is not there.

But meditation is not part of your biology, your physiology, your chemistry; it is not part of ordinary natural flow. If you want to remain just a human being for eternity, you can remain there. Nature has come to a point of evolution where more than this is not needed: you are perfectly capable of reproducing children and that’s enough. You will die, your children will continue. Your children will carry on the same stupidities that you were doing. Some people will be coming into the congregation, into the churches; some other idiot will be giving sermons, and the whole thing will continue – don’t be worried.

Nature has come to a point where now, unless you take individual responsibility, you cannot grow. More than this nature cannot do. It has done enough. It has given you life, it has given you opportunity; now how to use it, it has left up to you.

Meditation is your freedom, not a biological necessity. You can learn in a certain period of time every day to strengthen meditation, to make it stronger – but carry the flavor of it the whole day.

First, while you are awake – the moment you wake up, immediately catch hold of the thread of remaining alert and conscious, because that is the most precious moment to catch the thread of consciousness. Many times in the day you will forget – but the moment you remember, immediately start being alert. Never repent, because that is a sheer wastage of time. Never repent, “My God, I forgot again!”

In my teachings there is no place for any repentance. Whatever has happened is gone, now there is no need to waste time on it. Catch hold again of the thread of awareness. Slowly, slowly you will be able to be alert the whole day – an undercurrent of awareness in every act, in every movement, in everything that you are doing, or not doing. Something underneath will be continuously flowing.

Even when you go to sleep, leave the thread only at the last moment when you cannot do anything because you are falling asleep. Whatever is the last thing before you fall asleep will be the first thing when you wake up. Try it. Any small experiment will be enough to prove it.

Just repeat your own name while you are falling asleep: half awake, half asleep, go on repeating, “Vimal, Vimal, Vimal.” Slowly, slowly you will forget repeating, because the sleep will grow more and more and the thread will be lost. It is lost only because you are asleep, but underneath your sleep it continues. That’s why in the morning when you wake up and just look around, the first thing you will remember will be “Vimal, Vimal.” You will be surprised: Why? What happened? You slept eight hours, but there has been an undercurrent.

And as things become deeper and clearer, even in sleep you can remember that you are asleep. Sleep becomes almost a physiological thing and your spirit, your being, becomes a flame of awareness, separate from it. It does not disturb your sleep; it simply makes your sleep very light. It is no more the sleep of the old days, when your house was on fire and you went on sleeping – that was almost like a coma, you were so unconscious.

Your sleep will become thin, a very light layer, and your inside will remain alert. Just as it has been alert in the day, it will be even more alert in the night, finally, because you are so silent, so relaxed. The whole nuisance world becomes completely silent.

Patanjali, the first man in the world to write about meditation, says that meditation is almost like dreamless sleep, but with only one difference. In dreamless sleep you are not aware; in samadhi, in the ultimate state of meditation, there is just a little difference – you are aware.

Vimal, you can continue to learn, to refresh for twenty minutes every day, to give more energy and more roots – but don’t be satisfied that that’s enough. That’s how the whole of humanity failed. Although the whole of humanity has tried in some way or other, so few people have been successful that many people by and by stopped even trying, because success seems to be so far away. But the reason is that just twenty minutes or ten minutes won’t do.

I can understand that you have many things to do. So find time – but that time is not meditation; that time is only to refresh yourself, and then again you will have to work, earn, do your job, and a thousand and one things. Just remain alert whether it is still there inside or it has disappeared.

This continuity then becomes a garland of twenty-four hours. Only then, Vimal, will you be able to experience satyam, shivam, sundram – not before it.

A lion was walking through the forest taking a poll to determine who was the greatest among all the wildlife animals. When he saw the hippopotamus, he inquired, “Who is king of the forest?”

“You are,” said the hippopotamus.

Next he met a giraffe. “Who is king of the forest?” he inquired.

“You are,” said the giraffe.

Next he met the elephant. He gave him a good rap on the knee and said, “And who is the king of the forest?”

The elephant picked him up in his trunk and swung him against the tree. As the lion slid down, brushing himself off, he said, “You don’t have to get so mad just because you don’t know the right answer.”

Vimal, unfortunately I know the right answer. I will not get mad at you, but certainly I will tell you where you are wrong and where you are right.

First, sitting with me in these discourses is nothing but creating more and more meditativeness in you. I don’t speak to teach something; I speak to create something. These are not lectures; these are simply a device for you to become silent, because if you are told to become silent without making any effort you will find great difficulty.

That’s what Zen teachers have been telling their disciples: “Be silent, but don’t make any effort.” Now, you are putting the person into such a difficult fix: Don’t make any effort and be silent . . . If he makes any effort, he is wrong – and there is no way to be silent without making any effort. If it were possible to be silent without any effort there would have been no need of any master, there would have been no need of teaching meditation. People would have become silent without any effort.

I have gone as deep into Zen efforts as possible. They have been working for almost fourteen centuries, since Bodhidharma. They are one of the greatest groups in the world, totally devoted to a single thing, and that is meditation. There is no other experiment anywhere which has been done for so long a time continuously. But still there are not many Zen masters.

Yes, there are more masters in the stream of Zen than in any other stream in the world, but still they are very few compared to the people who have been working. I have been searching out what was the basic mistake – and this is the basic mistake, Vimal: those Zen masters told them the right thing, but not in the right way. I am making you aware of silences without any effort on your part. My speaking is for the first time being used as a strategy to create silence in you.

This is not a teaching, a doctrine, a creed; that’s why I can say anything. I am the most free person who has ever existed as far as saying anything is concerned. I can contradict myself in the same evening a hundred times, because it is not a speech, so it has not to be consistent. It is a totally different thing, and it will take time for the world to recognize that a tremendously different experiment was going on.

Just in a moment, when I became silent, you become silent . . . What remains is just a pure awaiting. You are not making any effort; neither am I making any effort. I enjoy to talk. It is not an effort.

I love to see you silent.

I love to see you laugh.

I love to see you dance.

But in all these activities, the fundamental remains meditation.

This is for you all, absolutely unrelated with anything.

Hymie and Becky Goldberg are with their teen-age son, Herschel, on holiday in California. Herschel is jogging down the beach when he happens to see someone drowning, not far from the shore. Rushing into the surf, he pulls the man out. Much to his surprise it is Ronald Reagan.

The president sits up in the sand, and when he finally manages to catch his breath, he says, “Young man, that was a heroic deed you just did. In such uncertain times as today, with the stock market crash and the Middle East crisis, the world can’t do without me. Tell me son, if there is anything I can do for you, just let me know.”

Herschel thinks for a minute, “You know there is one thing.”

“Name it,” Ronald Reagan urges.

‘I would like to be buried with my surfboard in Surfers’ Paradise Beach, here in California.”

The request takes Ronald Reagan by surprise. “I don’t understand,” he says. “From the looks of you, you’re in perfect health.”

“Oh, I am,” answers Herschel. “But when my father Hymie Goldberg finds out whose life I just saved, he’s gonna kill me!”

Okay, Maneesha?

Yes, Osho.

-Osho

From Satyam, Shivam Sundram, Discourse #28, Q2

Copyright © OSHO International Foundation

An MP3 audio file of this discourse can be downloaded from Osho.com, or you can read the entire book online at the Osho Library.

Many of Osho’s books are available in the U.S. online from Amazon.com and Viha Osho Book Distributors. In India they are available from Amazon.in and Oshoworld.com.

 

Beauty Cannot Lead to Enlightenment – Osho

Was Rabindrinath’s longing, his creative angst, the very thing that in the end became an obstacle to his enlightenment? Am I also destined to die with tears in my eyes, and a pocket full of songs?

Milarepa, a poet is not in search of truth. His search is for beauty, and through the search for beauty nobody has ever become enlightened. One can become a great poet, a great painter, a great singer, a great dancer; but on the path of beauty, enlightenment is not possible.

The seeker of truth, and only the seeker of truth, attains to enlightenment. And this is the miracle of enlightenment that once you have discovered truth, then beauty, the good, and all that is valuable simply become available to you.

Beauty cannot lead to enlightenment, but enlightenment opens your eyes to all dimensions and all directions.

Rabindranath was very close to enlightenment, but his search was not for enlightenment – he was searching for the beautiful. And the search for the beautiful, deep down is the search for expressing beauty – in words, in music, in dance, in any kind of creativity. The seeker of beauty is really seeking a vision which he can reproduce in his poetry, in his song, in his painting. Always the search is inner, but the goal is somewhere outside. And that’s the problem for all great creative people: they come to know, but then expression becomes difficult; they come to experience beauty, but how to share it? You may see a rose flower and be suddenly overwhelmed by its beauty, but how to share it? How to express it?

The concern of the artist is expression; the concern of the seeker is experience. Neither of them is able to express, but because the seeker of truth is totally concerned with experiencing, he comes to enlightenment, and he can die with a smile on his face, with fulfillment, whether he has been able to say something about it or not – that is not his concern, that is not his angst, his anxiety.

The artist also comes to know what he is seeking, but his problem is that basically, his interest in seeking beauty is for expression – and expression is almost impossible. At the most you can stutter a little bit – all your songs are stutterings of great poets. They look beautiful to you, immensely meaningful and significant, but to the poet… he knows he has failed.

All artists, either in the East or in the West, have felt an immense failure. They have tried their best, and they have produced great pieces of art – for us they are great pieces of art, but for them they are faraway echoes of their experience. Hence, they die either mad….

Almost seventy percent of painters, dancers, poets have gone mad. They have made too much effort. They have put too much tension into their being, so that it brought a breakdown, a nervous breakdown. And many of the artists have even committed suicide. The wound of failure became unbearable: to live any longer and to carry the same wound, and feeling again and again… became too difficult, and it was better to destroy oneself. And those who have not gone mad or committed suicide, they have also not died in a blissful way.

In the East, we have defined the ultimate values as three: satyam, shivam, sundaram. Satyam means truth – that is the highest. The seeker, the mystic follows that path. Then comes shivam: goodness, virtue. The moralist, the saint, the sage – they follow that path. And sundaram means beauty. The poets, the singers, the musicians – they follow that path.

Those who attain to truth automatically come to know what is good and what is beauty. Those who follow good, neither come to know what is true, nor do they come to know what is beauty. The followers of good – the moralists, the puritans – also never achieve enlightenment. All that they achieve is a repressed personality – very beautiful on the surface, but deep inside very ugly. They have great reputation, honor, respect, but inside they are hollow.

The people who follow sundaram, beauty, are inside fulfilled, utterly fulfilled, but their misery is that, that is not their aim: just to be fulfilled. They want all that they have experienced to be brought into language, into paintings, into sculpture, into architecture. Hence, even though they have experienced beautiful spaces they remain anxiety-ridden.

The people who follow beauty are most often not very respectable – not in the same sense as the saints are. They are very natural people, very loving and very lovable, but they don’t have any ego, any idea of holier-than-thou; they remain just simple and ordinary.

These three values have been for centuries followed separately. So the people who have become enlightened have never painted, have never made beautiful statues, have never composed music; they have never danced. They have never followed the dictates of the society, they have never followed the conventions of the society; hence most of them have been crucified, poisoned, killed – because people want you to be a puritan, a moralist. In people’s eyes morality is a social value, truth is not. Beauty is for entertainment; they don’t take it seriously.

I have been trying in many ways to open new doors – this is one of the most important doors. I want you to be a seeker of truth, but when you have attained to truth you should not be without songs and without dances. Beauty is a little lower value than truth, but the man of truth can express beauty more clearly than the poet, than the painter. For the higher, the lower is always understandable – not vice versa.

The man who has attained truth should also take care that his life radiates godliness, goodness. It may not be in tune with the morality of the society – it cannot be, because that morality is created by blind, unconscious people, just as a convention. For the man of truth it is not convention, it is simply his life. In utter nudity, he should make his life available to existence, to people, so that the ordinary morality of convention slowly, slowly changes into a real and authentic morality of a man who knows the truth.

The man of truth should not look at poetry and music and dance as just entertainment for ordinary people. He should make it a point, because he has risen to a height from where he can see beauty in its absolute glory. He can contribute many riches to existence : Each of his words can be a poem in itself, each of his silences can become celestial music, each of his gestures can indicate towards the most beautiful phenomenon, grace.

But this has not been so up to now – they have all followed their paths separately. I want my people to seek the truth, because by seeking it the other two will become available on their own accord. But remember, when you have experienced truth don’t forget that it is part of your compassion to give humanity new dreams of goodness, new visions of morality, ethics, which are not of the marketplace, which are not only conventions. And he should not forget that his truth is so deep inside him that the unconscious people will not be able to have a taste of it – he should create beauty in all possible dimensions.

Once in a while it has been done. For example, when the Taj Mahal was created… it was not the work of great architects, but it is the most beautiful architecture in existence. Shah Jahan, the emperor who was creating it as a memorial grave for his beautiful wife, Mumtaz Mahal – hence the name Taj Mahal – searched for years for Sufi mystics, who have no concern for beauty. He asked the Sufi mystics, “Although it is something lower, and you are not interested in it – and why should one be? – Just for my sake, you design the Taj Mahal. The architects will make it, but the design should come from those who have known beauty in its fullness, from a height.”

George Gurdjieff used to say that there are two kinds of art. One is subjective art – ninety-nine percent of art in the world is subjective: you are simply pouring your feelings, your desires, your longings, your dreams, into whatever you are making. But once in a while there is objective art – only one percent. What he calls objective art is art created by those who were not artists, who were realized people. They created music to help meditation – it was not for entertainment. They created poetry to convey that which cannot be conveyed by prose. They sang, they danced, to give you just a glimpse of their ecstasy, of their inner dance, of their joy, their blissfulness.

In India, there are many places which have objective art. Even Gurdjieff had to mention them, although he was in the West; he was born in the Caucasus, but when he was talking about objective art, he had to fall upon India. Indian classical music is not just for entertainment. Listening to it, you start going deep into yourself. It is not for all, it is only for those who are ready for an inner pilgrimage.

He mentioned the Taj Mahal, too. On the full moon night, when the moon comes just in the middle of the sky, the Taj Mahal becomes the greatest object of meditation that man has created. You just sit silently and look at it, and just looking at it your thoughts will subside. The beauty of it is so enormous that your mind simply feels at a loss. It cannot grasp it, so it becomes silent. The caves of Ajanta and Ellora, the temples of Khajuraho, Puri, and Konark… all these he mentions as objective art – objective because they are not an effort to express feelings or ideas, they are devices, so that for centuries to come people will be able to have the same taste, the same feeling, the same joy.

The pyramids in Egypt are part of objective art. Just in the beginning of this century, when excavations were begun in the pyramids, a cat was found dead inside. The pyramid was three thousand years old – perhaps when they were closing the pyramid, the cat had remained inside and died. For three thousand years the cat had been there, dead, but its body had not deteriorated. That was a miracle: three thousand years, and the body of the cat was as if she had just died. The scientists were puzzled. Finally it was discovered that the shape of the pyramid is the cause.

That particular shape of the pyramid is tremendously capable of preserving things as they are. Even if you put a dead body inside, it will be preserved. Nothing else is needed, because the shape of the pyramid changes the direction of the rays of the sun, and in that change of direction the miracle happens.

Now there are small plastic pyramids, glass pyramids available in the market. And people who are very much health-oriented, they just sit inside that pyramid. A small pyramid, portable – you can fold it, keep it in your suitcase – and wherever you want you can fix the pyramid up like a tent, and just sit inside it for one hour. And you will feel as immense a well-being as you have ever felt.

The possibility is that if these pyramids are used widely, man’s life can be prolonged. If it becomes a routine exercise for every child, in every home, in every school, in every college, life can be stretched up to three hundred years. Just one hour every day inside the pyramid, and you are not to do anything, just sit there. It is helpful in both ways: It will preserve your life, and that one hour of well-being will give you a deep feeling of meditation. The people who created the pyramids must have been mystics who had come to such a clarity, to see things which are not available to us.

I want my people to be seekers of truth. But never forget that you have to bring a revelation into the moral codes of humanity, too. You should not feel satisfied that you have found the truth, and you have found what is good. You should make your good as much manifest and available to humanity as possible. The same is applicable to beauty. One feels a great loss… if Buddha had painted, or composed music, or sang songs, or once in a while danced with his disciples, the world would have been immensely enriched.

I say to you, remember in those moments when you realize the truth that a great responsibility has fallen on your shoulders: you have to change the ordinary morality into a spiritual code, and you have to change subjective art into objective art. This will be the new expression of the contemporary mystic, and it will make a new breakthrough for the future.

Milarepa, you are asking, “Am I also destined to die with tears in my eyes, and a pocket full of songs?” If you remain interested only in songs and music, you will die with tears in your eyes, and those tears will not be of joy.

Let your search be for the truth, and only on the margin go on practicing your music, composing your songs; so when you reach to your enlightenment you are articulate enough to bring beauty to expression. Then you can go laughing, fulfilled, without any tears.

-Osho

From The Razor’s Edge, Discourse #10

 

Copyright© OSHO International Foundation

An MP3 audio file of this discourse can be downloaded from Osho.com, or you can read the entire book online at the Osho Library.

Many of Osho’s books are available in the U.S. online from Amazon.com and Viha Osho Book Distributors. In India they are available from Amazon.in and Oshoworld.com.